Prime Arctic predator and nomad of the sea ice and tundra, the polar bear endures as a source of wonder, terror, and fascination. Ice Bear traces 8,000 years of intertwined human-polar bear history, painstakingly researched and illustrated with 175 images.
“‘Iconic’ is the marketing cliché of our times, applied as unthinkingly to wildlife as it is to biscuits. But here, Michael Engelhard digs deeper, tracing how the polar bear came to occupy its place in contemporary culture and, in the process, suggesting what the mechanics of iconography say about us.” — BBC Wildlife
“Ice Bear is a visual National Geographic with real verbal punch!” — New York Journal of Books
Torn between two “soulscapes”—the canyon country and Alaska—the author has roamed both for twenty-five years. En route he suffered snowstorms, boat-flips, heat, injury, bobcat tamales, upset raptors, charging grizzlies, the Park Service, heartbreak, hungry mosquitos, and honeymooners from abroad. American Wild charts his love for these regions in essays that are lyrical, candid, and luminous. Above all, they speak of one man’s desire to see natural wealth and our stories about it preserved.
“Thoroughly at home in these wild places and among their creatures, Engelhard is a worthy guide across thresholds that can provoke profound, irrevocable change.” — Foreword Reviews
“Engelhard’s prose growls and sings, appropriate for a writer whose twin poles of geographic passion are the Arctic and Southwest.” — Carol Haralson, Peaks, Plateaus & Canyons Association
Inspired by a year of hiking 120 desert canyons, Where the Rain Children Sleep is nature writing in the best tradition of Edward Abbey, Ellen Meloy, and Craig Childs. Much more than one man’s memoir of his time in these canyons, it is a well informed, critical, and in-depth collection punctuated by flashes of humor and whimsy. The vivid thread connecting these essays is the Navajo concept of a “sacred geography.”
“A Poet’s walkabout . . .” — L.A. Times
“The finest Abbey-inspired prose I’ve encountered since Ed himself. . . . Just the gust of fresh air our stagnant nature / travel genre so desperately needs right now.” — David Petersen
“Compelling and thought-provoking.” — Booklist
Stories by Douglas Chadwick, Karsten Heuer, Nancy Lord, Richard Nelson, and others.
“This is top-drawer nature writing—there’s not a clunker in the bunch.” — Editor’s Choice, Audubon
“Loss is a theme in the book. So is being found; finding oneself through the ‘other,’ which sometimes looks and acts in ways that are too similar for comfort.” — Alaska Dispatch News
“Wild Moments is the next best thing to being there. The poignant stories flowing from our interaction with these ‘other nations’ are reminders that America’s last wildlife haven is at risk of being lost to the juggernaut of development. That is, unless we decide together that endless wild moments are worth more than quick fixes to long-term problems.” — John Toppenberg, Alaska Wildlife Alliance
Fifty micro-essays and lavish images showcase the Colorado Plateau’s geology, flora, fauna, climate, people, and landmarks in their unrivaled splendor.
“Grandeur comes in many dimensions, and this book captures them all.” — Bill McKibben
“Every now and then a writer emerges who has both an intimate and hard-won experience of the wilderness and the prose skills to share what they found there, seemingly without loss along the wires. For my money, Michael Engelhard is one of this rare breed.” — David Knowles, publisher of EarthLines
Flash fiction and -nonfiction by Christine Byl, Eowyn Ivey, Don Rearden, Sandra Kleven, and others.
“Engelhard has a good thing going here, and he’s handled it well.” — Fairbanks Daily News-Miner
“This isn’t a book bound for the tourist rack, but it does present an honest view of life in Alaska. . . . One delightful aspect of this anthology is that you can sample many Alaskan authors (although not all the writers now live in Alaska), but you also experience so many perspectives, a peek into the Alaska writers’ psyche, how they describe the world and what they make of it. Alaska is a big state. Cold Flashes can escort you on a tour without you ever leaving your seat.” — Anchorage Daily Planet
Stories by Mark Twain, Thomas McGuane, Edward Abbey, Gretel Ehrlich, Mark Spragg, and others.
“Michael Engelhard has rounded up a group of writers gentle and smart and loving of the animals, as well as experienced in their visions of the American West.” — Kent Nelson
“Both fiction and nonfiction, these exceedingly artful pieces are divided into seven categories: Broncs & Rogues, Mustangs, Cow Ponies & Other Workhorses, Racers & Buffalo Runners, Mares & Foals, Legendary & Supernatural Horses, and Casualties & Survivors. The authors range from the familiar (e.g., Zane Grey, Theodore Roosevelt, Frederic Remington, and Gretel Ehrlich) to those best identified in the full Notes on Contributors at the end of the volume. Most are active in the horse world, as evidenced by their vivid writing: they truly know their horses. Altogether, a sheer delight to read; highly recommended.” — Library Journal
Stories by Edward Abbey, Craig Childs, John Nichols, Katie Lee, Brad Dimock, and others.
“A high-water mark in river running humor from the guides and the misguided.” — Tim Cahill
“Hell’s Half Mile represents the best in humorous outdoors writing and the lowest in guide culture.” — John Weisheit, co-founder of Colorado River Guides and Conservation Director of Living Rivers
“[Engelhard] has done the river community, and all lovers of the lighter side of nature writing, a great service. . . . Whether breaking the tension above rapids at high water, or simply reveling in the glory and mishaps of those who have gone before, this book is a must have for book shelves and ammo cans alike.” — The Confluence